Cookies on this website

We use cookies to ensure that we give you the best experience on our website. If you click 'Accept all cookies' we'll assume that you are happy to receive all cookies and you won't see this message again. If you click 'Reject all non-essential cookies' only necessary cookies providing core functionality such as security, network management, and accessibility will be enabled. Click 'Find out more' for information on how to change your cookie settings.

The encore ritual at live music events is a ubiquitous yet under-researched phenomenon. Drawing on ethnographic research carried out in Glasgow, Sheffield, and Bristol, this paper deconstructs the encore ritual as it is enacted by performer and audience, and highlights the covert yet vital complicity of the promoter/venue. It argues that, while the encore began as a spontaneous display of audience enthusiasm, it has now become an expected and ritualized part of a live music performance. The paper illustrates how encores now fulfill a variety of functions, including indicating temporality, allowing artists to thank their audiences, and allowing the audience to feel some semblance of empowerment within the event. © 2012 Copyright Taylor and Francis Group, LLC.

Original publication

DOI

10.1080/03007766.2010.538241

Type

Journal article

Journal

Popular Music and Society

Publication Date

01/02/2012

Volume

35

Pages

93 - 111